July, August, September...

I really can't believe that my last post was early July! But then again it's been a crazy busy summer full of traveling to paint and teach. I have a pile of work to post here so rather than get into much detail about the last few months I'd rather show some of the images from the summer and talk about the recent past with them a little bit.

First of all... We, Sargent and I, have a new housemate. Her name is Frida. We rescued her at about 12 weeks. She's an adorable little sweetheart of a kitten. Even Sarge is beginning to see it that way.


I'M VERY HAPPY TO ANNOUNCE THAT I HAVE JOINED A NEW GALLERY IN TEXAS... R.S.Hanna Gallery, Fredericksburg, TX

I was forunate to have been awarded the Bronze Medal Award at the Oil Painters Of America's (OPA) 19th Annual National Juried Exhibition in Idaho for the painting "Right Or Left?"...


"Right or Left?" 24x30 oil
Available at R.S.Hanna Gallery, Fredericksburg, TX

All of these paintings are available, unless marked 'NFS' or at specific galleries and are linked to the galleries that they're hanging in.

Here we go... The first four are just random field studies that I've painted this summer.


'CORNER LIGHT' 8x10 Oil 2011©Marc R. Hanson
Available at R.S.Hanna Gallery, Fredericksburg, TX
I discovered that I had a tube of Gamblin's 'Chromatic Black' in my paint bin. So I took it out to see if it would be of interest to me when mixing some of the deep summer greens. It works very well for that, it's in my paint box as a 'occasionally used' color now. I used it extensively as my 'blue' when mixing the greens in this painting. There's a lot of scraping and palette knife work here too, a tool that I find myself using more and more now.



'TREE ISLAND' 8X10 Oil 2011© Marc R. Hanson
This little study was just painted this past week along the river below me in the Interstate Park, Minnesota side. I was looking at a very bright backlit scene that silhouetted the tree shape nicely. That was the starting point conceptually for this one. The silvery light and strong darks attracted me too.



'TEXAS!' 11X14 Oil 2011© Marc R. Hanson NFS
This is the first and only painting that I did in Texas during a trip there in July. Now that I am joining the R.S.Hanna Gallery in Fredericksburg, Tx I hope to be there painting a lot more. There is something about that landscape that is very, very attractive to me. It reminds me a lot of the northern California Sierra Foothills near Loomis where I went to high school and where my mother and brother and his family still live. It's the dry grasses and large oaks spread across rolling hills that do it for me I guess. It was hotter than blazes there, 109º F!!! Of course they've experienced terrible fires there this month, totally devastating. But it's finally beginning to rain from what my friends there are saying... Hallelujah!!!



'THAT'S MY BOAT!' 8x10 Oil 2011© Marc R. Hanson
Available at Addison Art Gallery in Orleans, MA.
In June I went out to Cape Cod to paint with friends Shannon Runquist, Paul Schulenburg, Elizabeth Pollie, Frank Gardner, Jerome Green, Sara Jane Doberstein and Peter Kalill. There was an exhibit held at Addison Art Gallery sponsored by the Cape Cod Museum of Art celebrating the 50th Anniversary of the establishment of the Cape Cod National Seashore by President John F. Kennedy. We painted all over the National Seashore area and in the harbors. This was a small boat at the harbor in Wellfleet, Ma.


THE NEXT GROUP OF PAINTINGS ARE ALL DEMOS OR PAINTED DURING MY SUMMER MENTORSHIPS AND WORKSHOPS...


'ST CROIX SWIRLS' 11X14 Oil 2011© Marc R. Hanson
Available at R.S.Hanna Gallery, Fredericksburg, TX



'PEONIES' 8X10 Oil 2011© Marc R. Hanson



'TAYLOR'S ROCKS' 12X16 Oil 2011© Marc R. Hanson



'GARAGE GARDEN' 11X14 Oil 2011© Marc R. Hanson


THE NEXT GROUP OF PAINTINGS ARE PIECES THAT I PAINTED IN JULY AT THE DOOR COUNTY PLEIN AIR FESTIVAL IN WISCONSIN...


'COOL MORNING' 9X12 Oil 2011© Marc R. Hanson



'FLAMING LACE' 11X14 Oil 2011© Marc R. Hanson



'MOONLIGHT BAY CULVERT' 11x14 Oil 2011© Marc R. Hanson



'MORNING BRIGHT' 11X14 Oil 2011© Marc R. Hanson



'WISCONSIN BARNS' 12X16 Oil 2011© Marc R. Hanson


7
'WHITE SOX' 9X12 Oil 2011© Marc R. Hanson


THE FINAL GROUP OF PAINTINGS ARE OF A SELECTION OF FIELD STUDIES PAINTED OF A SUBJECT THAT HAS BECOME NEAR AND DEAR TO ME THIS YEAR. THE LOCATION IS A 30,000 ACRE WILDLIFE REFUGE MADE UP OF SEDGE MARSH, UPLAND AND PRAIRIE HABITAT IN NW WISCONSIN NEAR GRANTSBURG... AND IS CALLED 'CREX MEADOW'. THIS EXPANSE OF LAND IS A HAVEN FOR CRITTERS AS VARIED AS WOLVES AND SANDHILL CRANES TO BLACK BEARS AND TRUMPETER SWANS. EAGLES, OSPREYS, ASSORTED OTHER WATERFOWL AND FUR BEARING ANIMALS ABOUND. THEY'RE ALL THERE BECAUSE OF THE SPECTACULAR NATURE OF THE ENVIRONMENT THAT HAS BEEN PROTECTED WITHIN THIS ECOSYSTEM OF CREX MEADOWS. I HOPE TO CONTINUE TO DO STUDIES, PHOTOGRAPH AND PAINT LARGER PAINTINGS ON LOCATION WHENEVER I CAN. EXCEPT FOR THE LAST TWO PAINTINGS BELOW, THESE ARE ALL FIELD STUDIES PAINTED ON LOCATION.


'OVERHANGING DARKS' 12X16 Oil 2011© Marc R. Hanson



'LILY'S' 8X16 Pastel 2011© Marc R. Hanson



'SEPTEMBER REFLECTIONS' 9X12 Oil 2011© Marc R. Hanson



'REISINGER LAKE I' 3.5X4 Gouache 2011© Marc R. Hanson NFS



'REISINGER LAKE II' 3.5X4 Gouache 2011© Marc R. Hanson NFS



'UPPER PHANTOM FLOWAGE I' 3.5X4 Gouache 2011© Marc R. Hanson



'UPPER PHANTOM FLOWAGE II' 3.5X4 Gouache 2011© Marc R. Hanson


I had a hard time photographing these two larger studio pieces... But you get the idea.


'BEYOND SHADOWS' 24X24 Oil - Studio - 2011© Marc R. Hanson



'TOWARDS THE END' 24X24 Oil - Studio - 2011© Marc R. Hanson

Scottsdale Artists School Pastel Workshop 10/31-11/4, 2011

I'll be teaching a Pastel Only workshop at the Scottsdale Artists School this fall...

MARC R. HANSON...
WORKING WITH SOFT PASTEL IN THE FIELD AND STUDIO
Location: Scottsdale Location
Oct 31-Nov 4, 2011

(480) 990- 1422
http://www.scottsdaleartschool.org

Considering the different challenges that using soft pastels in the field versus in the studio presents the artist, this class is designed to give the students a chance to explore both situations under my guidance. Over the course of the five day class the students will spend approximately half of the time in the field, and the other half in the studio. In the field we will focus on shorter term studies and the issues of pastel working en plein air, along with all of those principles involved in all picture making. Students should expect to complete at least four to six plein air pieces during the outdoor segment of the class. Back in the studio we will work from either those studies, or from our own reference materials to produce one or two larger studio pieces.

Lectures about materials and technique, the elements of painting, including an AV media presentation, will reinforce the material discussed and taught during the week. I will also demonstrate a couple of different methods that I use to begin pastels in the field and studio, and will carry out at least one large studio demonstration, start to finish. Some experience with using pastels outdoors is recommended; otherwise the class is open to new and veteran pastel painters.www.marchansonart.com

'Lake Elmo Respite' 6-2-2011

'Lake Elmo Respite' - oil - 11x14 ©2011 Marc R. Hanson

Some days are just what you need, and today was one of those. Skies overcast, a little leaden, but with the promise in the air for a period of 'dry' and a little bit of warmth poking through every so often.

Since returning from Africa, it's been tough for me to get out and paint the intensity of the greens that greeted me on my return. They're starting to moderate a little bit now and are turning the trees into those nice summertime masses that are wonderful to paint. I went out today to paint with a good painting friend and as we were making our way to the location we talked about how important it is, to each of us, to go out to search for the 'mood' that Mother Nature is presenting for the day rather than to go out to paint a 'place' or a 'thing'. That's a good attitude to have at times like this when the color is almost painfully intense and so overwhelmingly monochromatic. A myriad of different greens, but all still green.

Mood in the landscape is not a tangible quality, not the trees, grass, water and sky. Mood is how the landscape affects you emotionally, it is what you feel from of your senses... sight, sound, smell, touch (weather), taste and hear. Your impression of the sum of all of those things, and Anything else that is affecting you while out there is what is interesting to paint to me.

ps... I could never stand and paint effectively while wearing an iPod device and earbuds.

Cape Town, South Africa 4/29 - 5/17, 2011

I’ve just returned from my first journey to the African continent, Cape Town, South Africa to be specific. A couple of months ago a friend of mine, Kim Myerson who is a painter and a native of Cape Town, suggested that I might want to come there to see the landscape and to do some painting. Kim is back to her native country and city after training in Florence, Italy at Angel Academy and Cecil Studios and is taking on and teaching students the methods of academic drawing and painting that she learned at those academies. Her suggestion also included the idea of coming to Cape Town to do a landscape painting workshop for the many painters who are living there without a lot of instruction in the type of painting that I do available.




Having a couple of weeks or so in between my other teaching and show obligations, I decided that the 8000 mile trip to Africa would be just what I needed. So on April 29th I climbed on board a Delta A-330 for the first 9 hour leg of a 21 hour flight that would take me to Amsterdam where the second leg of 12 hours would eventually set me down in what I quickly discovered is one of the most beautiful landscapes on the planet. My 16 days to explore seemed endless at the time.

Africa has always held a huge amount of mystery for me, from the books I’ve read, the movies I’ve seen including so many documentaries about it’s wild side, to artists like Bob Kuhn and Wilhelm Kuhnert who continuously inspired and made me jealous with their adventures to Africa, and who have shown it’s magnificence in their work.



But… until the morning of May 1, 2011 when I looked out the back door and onto Table Mountain and Lion’s Head, two prominent mountain formations in the heart of Cape Town that I could see from the balcony, I had no idea what I was in for in this land far away from my own state of Minnesota, USA.





I came to Cape Town armed with pounds of painting supplies, ready to paint like crazy. After a day of jet lag rest, I did paint a piece from the balcony of Kim’s studio while she was teaching students for the morning. From that point on, the painting was rare. Every day we would head out to see sections of Cape Town from the more developed beach areas near the city and the harbor, to the inland vistas of vineyards bordered by huge mountain ranges and valleys , to the quaint little towns with the Dutch/African architecture shops and galleries, and also to many of the wilder places like Table Mountain National Park (formerly Cape Peninsula Park) where I saw Cape Mountain Zebra, Cape Ostrich, Eland, Bontebok, and many other animals and birds. Everywhere we drove there was a drama to the land and in the skies that was breathtakingly beautiful and magnetic. The joke quickly became that we might want to write a book about “How to load your painting gear and not use it!”




What was really happening however, was the realization that there was so much to see that spending time setting up and painting on this trip, meant that I would miss out on the full palette of visual treats that this country had in store. I resigned myself to be comfortable with that and to explore as much of it as Kim and my time would allow me to. I am grateful for that and would have been more disappointed if I had come home on May 17th with a bunch paintings but not the 1200 or so photos reminding me of the variety and spectacular drama of the locations that we did see. Now I know what and where I’ll be painting when I return.



The amazing thing about this area of South Africa is the incredible variety in the type of landscape to see and to paint. Within an hour or two you can be on the Atlantic Coast side or on the Indian Ocean Coast. Both of these environments affect the land and the climate in different ways and make the landscape one of a constantly changing arrangement of sky and terra firma. The dramatic, quickly elevating slopes of the mountain ranges surrounding Cape Town, direct the temperature and air currents directly into the path of the ocean moisture laden winds; that mix provides the ingredients for skies that are in constant flux, changing by the hour. As a landscape painter this is like a gold mine. The visual feast that this combination cooks up is irresistible, it’s eye candy of the sweetest kind.



What the trip did do was show me a place that I will be back to in short time. Sometimes as painters there is a life changing experience that alters what our work is all about. I think that this trip to the southern end of Africa, it’s people, it’s culture and it’s beauty is one of those for me. I don’t know what it all means to me as a person or artist yet, but I know that it has great meaning for my future.


The best way for me to share my experience is visually. I painted only about 6 pieces but as you can see I found the inspiration in Cape Town that fueled my Art Spirit and will for a long time to come. In the end, I needed 16 months more than the 16 days I had.

Here are the paintings from the trip... I carried pre-cut pieces of linen rolled onto a stiff cardboard tube to prevent damage. They had a border drawn out on them to my preferred sizes which I used as a guide when taping them down onto a piece of Gatorboard with 1" masking tape. I also used W&N's Drying Linseed Oil to be sure that they were dry enough to roll back up and fly home with. They did dry but I added a precautionary piece of Wax Paper inbetween each one for insurance against damage. It worked beautifully. Now they'll be mounted onto prepared gator foam or hardboard with an archival glue. These are staying with me until I've had a chance to use them as possible reference for some larger paintings in the studio.


'Scarborough Surf And Fog' - oil - 8x10 ©2011 Marc R. Hanson


'Oliphantsberg' - oil - 11x14 ©2011 Marc R. Hanson


'Vineyard Near Ceres' - oil - 11x14 ©2011 Marc R. Hanson


'Atlantic Haze' - oil - 11x14 ©2011 Marc R. Hanson